Reviews of SHERLOCK HOLMES, INVICTUS & CRAZY HEART

While I was away on holiday, contributing writer Eric Edwards was busy taking in multiple screenings of Oscar-bait films. He was kind enough to submit the following reviews.

Did you see any of these? What did you think?—PCN

Photo by Alex Bailey/WARNER BROS.

Sherlock Holmes

Sherlock Holmes (Robert Downey, Jr.) is bored and depressed. His genius sleuthing abilities keep him from helping the throngs of people who write him because he solves their cases before he even finishes reading their letters. Dr. Watson (Jude Law) wants to get married, leaving Holmes’s childish behavior and their shared lodgings behind. Thankfully, a challenge to Holmes’s intellect arrives in the form Lord Blackwood (Mark Strong), a villain dealing in the black arts and one whom Holmes and Watson recently apprehended for Scotland Yard.

Screenwriter Anthony Peckham (who also penned Invictus; see review below) has taken the brilliant Holmes we’re all familiar with and attempts to make him more hip by adding martial arts to the detective’s arsenal. Holmes is even shown proving his prowess in the ring at an underground boxing arena. Oddly enough, in scene after scene in which he goes up against actual bad guys, Holmes doesn’t fare well.

In portraying the famous detective, the usually charming Downey, Jr. carries the burden of an English accent and it’s cumbersome. By contrast, Law’s put-upon Dr. Watson is much more interesting to watch because his accent is genuine and the actor uses a less-is-more approach. As Holmes’s former flame Irene Adler, the very talented Rachel McAdams is mired down by a script that doesn’t give her much to do. This movie is a mess that can be skipped by all but die-hard Holmes fans.

Photo by Keith Bernstein/WARNER BROS.

Invictus

The major problem with this “inspiring true story” of how newly elected President Nelson Mandela employs South Africa’s national rugby team to unite the apartheid-torn country is that it lacks a balance between earnestness and heart.

It’s supposed to be the end of apartheid in South Africa, but the hate between black and white still remains and Mandela (Morgan Freeman) needs to help his beloved country move forward. He looks to emulate the business plans of successful countries such as the United States and China. But how to appeal to the working-class citizen? Create a hero they can get behind.

Mandela summons South African rugby captain Francois Pienaar (Matt Damon) to a meeting and they hit it off. While the president sets about memorizing the player’s names and stats and attending their matches, Pienaar visits Mandela’s former prison cell to better understand his new benefactor. A mutual respect blooms between the two.

Director Clint Eastwood sacrifices what could have been a heartfelt story and spends most of the film developing the relationship between Mandela and Pienaar. Damon and Freeman work well together and both deserve accolades for their performances, but as a whole the film is less than compelling. Each character, from Pienaar’s family maid to Mandela himself, speaks in clunky soundbites uncharacteristic of Eastwood’s usual subtle style. We never really get to know the rugby players, resulting in apathy on our part when we’re supposed to be rooting for the team. And if we don’t care about whether or not it wins the match and helps unite the country, the entire point of the film is lost.

Photo by Lorey Sebastian/FOX SEARCHLIGHT

Crazy Heart

Bad Blake (Jeff Bridges), once a famous country singer/songwriter, has seen better days. Five marriages and a hard-drinking, heavy-smoking lifestyle has left him broke, forced into playing rundown bowling alleys and small dives across the Midwest just to make ends meet. Bad can still put on a show, but his fans are fewer, much older and his brand of “real country” is no longer relevant to today’s country music fans. What he needs is the inspiration to write a hit song. Enter budding journalist and would-be muse Jean Craddock (a completely miscast Maggie Gyllenhaal) and her 5-year old son, Buddy (Jack Nation).

Bridges’s performance, which includes doing his own singing, is solid throughout. His frustration with the cards life has dealt him is subtle, but etched as deeply as the lines on his face. Any frame of this movie without Bridges is a stark reminder of how much the film needs him to stay alive. It wasn’t the age difference between him and Gyllenhaal I found myself wincing at, it was the complete lack of chemistry between the two. Bridges, channeling a younger, better-looking version of Kris Kristofferson in his heyday, so richly deserves a more engaging companion to be inspired by and fall in love with than Gyllenhaal, who displays no allure whatsoever.

Colin Farrell shows up as Bad’s former protégé and current country superstar Tommy Sweet, and surprises me with his strong singing skills. Who knew? Both Farrell and Bridges could easily have careers as singers.

Writer/composer T-Bone Burnett provides the very catchy songs in Bad’s repertoire, but I wish the inspiring song that leads to his salvation was more memorable and not so morose. What should have been uplifting instead strikes one of the wrong notes in the film.

The Nerdy Hot 10 List

Maxim released its annual Hot 100 List today, focusing on women with exceptional beauty and bodacious bods. (House‘s Olivia Wilde got the top spot.)

Looking at some of the names, I thought the chosen women are indeed gorgeous but physical perfection is only one way to judge hotness. Year in and year out, the same people seem to end up on these lists.

So I decided to release my own Nerdy Hot 10 List, with male celebs who are sexy not because of their ripped bodies (though some might have them), but because of something a little imperfect, goofy, or nerdy about them. So here’s my list, in no particular order, and the reasons why these guys made the cut.

1. Colin Firth. Firth is the epitome of the awkward man who always gets tongue-tied around a pretty girl. But that awkwardness is what makes him so endearing, as evidenced by the hilarious scene in Love, Actually when he publicly proclaims his love in halting, butchered Portuguese to the woman of his affection. And remember those dreadful reindeer sweaters he sported in the Bridget Jones movies? He’s hot for having the courage and good humor to wear them.

2. Hugh Laurie. He often appears slovenly and unshaven on House and behaves like an ass. But then you hear him play piano, sing a funny ditty on a talk show or give a humorous, humble acceptance speech for an award and all is forgiven.

3. Paul Rudd. He’s most famous for doing bawdy comedies as part of the Judd Apatow gang; his blue eyes and boyish charm allow him to get away with all the mischief. But he can also do Shakespeare (I saw him do Twelfth Night in a Lincoln Center production), write scripts, sing, produce and all these hidden talents add up to one sexy guy.

4. Robert Downey Jr. The first time I saw him was in The Pick-Up Artist, where he played a pretty geeky guy trying to hit on Molly Ringwald . What a difference twenty years make. Despite all his legal troubles and drug abuse, he’s somehow managed to salvage his quick wit, intelligence and ultra-sized talent. You may be well aware of his acting prowess but have you ever heard him sing? Forget about it. He’s got a voice that can melt inhibitions.

5. James McAvoy. He may not be the tallest, most muscular or dashing man but oh, is he romantic. Check out those intense blue eyes. When he looks at his leading actresses in movies like Starter for 10 and Atonement, he really looks at them, as if they’re the most exquisite creatures he’s ever seen. And we the audience can almost feel him gazing right through the screen into our own eyes.

6. Jon Hamm. I tried watching one episode of Mad Men and Hamm did nothing for me as Don Draper, though he was certainly groomed and dressed well. Then I saw him on 30 Rock as Tina Fey’s hapless boyfriend and developed a crush immediately. Hamm was ridiculously funny as the guy who was so beautiful, no one would tell him the truth about anything. He played tennis atrociously but thought he was awesome, rode a motorcycle like a drunk but thought he was cool and was clueless about the correct usage of the word “ironic.” I think Fey is a comedy genius and for Hamm to keep pace with her is sizzling hot.

7. James Franco. He’s not that interesting as Harry Osborn in the Spider-Man movies but when he’s goofy, like in Pineapple Express and funnyordie.com videos, he gets my sexy stamp. Plus, he gets extra points for being a nerdy academic, with an English degree from UCLA and working towards graduate degrees in creative writing and film at Columbia and NYU’s Tisch School of the Arts, respectively.

8. Bret McKenzie. As half of Flight of the Conchords, he doesn’t have much luck in his career or with the ladies on the show. But he, along with Jemaine Clement, makes me laugh hard with brilliant, kooky songs and their hilarious, clever lyrics. I don’t get starstruck much but if I ever meet him, I’d be completely tongue-tied and that’s a true sign of hotness in my book.

9. Daniel Craig. Yeah, he beefed up for Bond and looks great in a tux but before that, he played a scrappy drug dealer in Layer Cake, a murderer in Infamous and an unsympathetic Ted Hughes in Sylvia. His face isn’t conventionally pretty, with rough features that look like he’s been in a few brawls, but I’ll take him over the typical Calvin Klein model any day.

10. Brad Pitt. I swear he’s not on this list for the obvious reasons because, frankly, I find him rather bland when he plays heroes and pretty boys on screen. But he rocks my socks when he plays crazy like in Twelve Monkeys or a doofus like in Burn After Reading. A funny man who also happens to look like Pitt? Smokin’.

What do you think? Who else should be on this list? Wanna see who’s on my Nerdy Hot 10 List—Female Edition? Click here.

2009 Oscars Fashion Round-Up

There were a lot of beautiful dresses tonight so it’s hard to pick a best. Even the “bad” ones weren’t horrible. But Nerdies need to be given out so here goes:

Best Dressed—Female: (Tie) Anne Hathaway and Marisa Tomei. I usually don’t like “no-color” dresses like beige or silver but these two dresses were magnificent.

Hathaway’s Armani Prive’ looked like a fluid, light-emitting column of tiny mirrors, making Hathaway the fairest of them all.

I’d never seen such intricate pleating like on the skirt and train of Tomei’s Versace gown.

Best Color: Natalie Portman’s pink dress. The color was so soft yet striking in a theater full of neutral colors. Alicia Keys’ dress was of a similar color and style but I liked Portman’s just a little more because it had more interesting tucking and details in the bodice.

Best Dressed Male: Daniel Craig. He ain’t just Bond on screen. He looked lethal-weapon sharp on the red carpet, too.

Most Improved from Previous Award Shows This Year: Robert Downey Jr. He looked like a bum at the SAG Awards, chewing gum, sporting sneakers and dirty hair. Look at him here. Damn! Somebody got a facial and full makeover.

Oldest Gown: Penelope Cruz. Her 60-year-old vintage Balmain was older than most people there. It’s held up remarkably well, though, and makes Cruz look like Audrey Hepburn in Roman Holiday.

Best Jewelry: Angelina Jolie. I couldn’t take my eyes off her green dangling earrings and ginormous cocktail ring. I don’t know why she looks so pissed here, though.

Most Resembling a Bridesmaid Dress: Amanda Seyfried. C’mon, doesn’t this look like it escaped from 27 Dresses?

Most Unfortunate Bow Placement: Tilda Swinton. The top half’s draping is pretty, but look where the giant ruffle is on her skirt. Unless you’re Cher circa 1987, you should never wear a gown that calls attention to your crotch to the Oscars.

Most Age-Inappropriate Dress: Sophia Loren. She’s still hot but what’s with all the ruffles? Twenty-four-year-old Freida Pinto may have been able to pull it off but it’s all wrong for Ms. Loren. She should take style lessons from Helen Mirren on how to look sophisticated and hot.

Baggiest Mess: Jessica Biel. She looks like someone draped a towel down the front of her dress. She could hide a couple of the Slumdog kids under there.

Who were your favorites? Who looked like they made their own clothes? Discuss!

81st Oscar Nominations are Here! My Predictions and Reactions

I can’t believe I woke up at 5:30 a.m. to hear them announced live. I haven’t seen this side of morning since…never. Here are nominees in some of the major categories (winners will be announced Feb. 22):

Best Picture

• The Curious Case of Benjamin Button
• Frost/Nixon
• Milk
• The Reader
• Slumdog Millionaire

Best Actor

• Richard Jenkins—The Visitor
• Frank Langella—Frost/Nixon
• Sean Penn—Milk
• Brad Pitt—The Curious Case of Benjamin Button
• Mickey Rourke—The Wrestler

Best Actress

• Anne Hathaway—Rachel Getting Married
• Angelina Jolie—Changeling
• Melissa Leo—Frozen River
• Meryl Streep—Doubt
• Kate Winslet—The Reader

Best Supporting Actor

• Josh Brolin—Milk
• Robert Downey Jr.—Tropic Thunder
• Philip Seymour Hoffman—Doubt
• Heath Ledger—The Dark Knight
• Michael Shannon—Revolutionary Road

Best Supporting Actress

• Amy Adams—Doubt
• Penelope Cruz—Vicky Christina Barcelona
• Viola Davis—Doubt
• Taraji P. Henson—The Curious Case of Benjamin Button
• Marisa Tomei—The Wrestler

Best Director

• David Fincher—The Curious Case of Benjamin Button
• Ron Howard—Frost/Nixon
• Gus Van Sant—Milk
• Stephen Daldry—The Reader
• Danny Boyle—Slumdog Millionaire

You can see the complete list of nominees here.

Didn’t expect Kate Winslet to be nominated for Best Actress for The Reader, though it only reinforces my belief she’ll win this category.

Overall, I agreed with most of the nominations. LOVED that Michael Shannon got a nod for Revolutionary Road. He was exceptional. The Supporting Actor category is ridiculously jampacked with really strong contenders. Last December, I picked Josh Brolin and I’m holding on to that for now, but Shannon just made this category impossible to handicap, Heath Ledger aside.

I also loved Robert Downey Jr.’s performance so I refuse to consider it a “surprise” nomination (the live audience at the announcements ceremony gasped loudly then chuckled). There’s precedence for a great comedic performance to be nominated in this category: Kevin Kline for A Fish Called Wanda and he won. RDJ’s feat as “the dude who played the dude who played a black man” in Tropic Thunder was astounding. He completely transformed himself into two different characters—even in the brief moments when he wasn’t “black” in the movie, he was a platinum blond, blue-eyed Australian guy and there wasn’t a hint of RDJ in either guise.

Loved that In Bruges got a Best Original Screenplay nomination for Martin McDonagh. I’ll stop shoving that movie down your throats now.

Loved that WALL•E was nominated for Best Animated Picture though it could well contend for Best Picture, period. Then again, it’s sure to win in the animated category. It also received a Best Original Screenplay nod for Andrew Stanton, Jim Reardon and Pete Docter and I wouldn’t count them out but I think Dustin Lance Black will take it for Milk.

Other categories I’m calling (I already predicted acting winners last month): Best Director—Danny Boyle, Best Adapted Screenplay and Best Picture—Slumdog Millionaire. I also think the film’s A.R. Rahman will take Best Score and one of the Best Songs, and Anthony Dod Mantle will win for Slumdog‘s cinematography. When Mantle talked about shooting in Mumbai among the crush of people, running after children, trying to keep everyone from looking at the cameras, I’m amazed he managed to pull it off.

E!’s movie critic Ben Lyons, who annoys me because he can’t even get titles right (at the Globes, he said “Welcome to the Golden Globe” at one point and then called Meryl Streep’s next movie Julia & Julie when it’s actually Julie & Julia), said right before the announcements that he thought Clint Eastwood would get a Best Actor nom for Gran Torino. I was vigorously shaking my head because I couldn’t disagree more. Eastwood squinted and growled like a junkyard dog throughout the movie and I thought it was ridiculous. I kept thinking, “I get it, you’re a tough guy, stop with the overly indicating.” I’m glad Richard Jenkins got nominated instead for his funny, sweet performance but was disappointed to see Michael Sheen omitted from this category for Frost/Nixon. He was just as good as Langella.

What did you think of the noms? Any mentions really excited you? Any egregious omissions? Leave me a comment. I’m sure I’ll have more thoughts but right now, it’s roughly 6:30 and I’m amazed my brain is even functioning at all.

Sneak Peeks at 2009’s Most Anticipated Movies

Happy New Year! Hope you all enjoyed the holidays and had a chance to see some movies. Now that the new year has begun, there’s a whole new slew of films to look forward to. There’s something for everyone (if it’s underlined, click on it to see the trailer):

THE BIG, FAT EXPENSIVE MOVIES

Watchmen (March 6, tentatively)—It has a great cast, looks good, I did voice work on it so it’d better make lots of dough. Make sure you see it several times with large groups of friends!

X-Men Origins: Wolverine (May 1)—It’s all about Hugh Jackman. ‘Nuff said.

Star Trek (May 8)—I’m not a Trek fan but it’s directed by J.J. Abrams so we’ll see. If it’s as good as the best episodes of Alias, I’m there.

Terminator: Salvation (May 21)—The last installment was not great but Christian Bale is taking over as John Connor so this could be awesome. I’m ready for a full-time kick-ass Connor, as opposed to the whiny, teenager version we’ve had to tolerate for almost two decades.

Avatar (Dec. 18)—No one knows what the funk it’s about but it supposedly has newfangled, groundbreaking FX and James Cameron’s last movie, Titanic, is still the undefeated box office champ so this one won’t be hurting for an audience.

THE PRESTIGE FILMS OVERSTUFFED WITH TALENT

Duplicity (March 20)—Tony Gilroy follows up Michael Clayton by directing Julia Roberts, Clive Owen, Tom Wilkinson and Paul Giamatti (Gilroy must have a clause in his contract that reads “I only direct huge movie stars”) in a spy movie partly filmed in Rome. The trailer looks slick, sexy and funny. I can’t decide which is prettier, Rome or Owen, and it’ll be nice to Roberts in a starring role again. (Read my review here.)

State of Play (April 17)—Based on a BBC series about reporters working with a police detective to solve the murder of a congressman’s mistress. The presence of Helen Mirren makes the trailer look Prime Suspect-ish. The cast also includes Russell Crowe, Ben Affleck, Rachel McAdams, Robin Wright Penn, Viola Davis and Jeff Daniels. (Click here for my review and comparison with the BBC version.)

Public Enemies (July 1)—Michael Mann directing Johnny Depp as John Dillinger and Christian Bale as Melvin Purvis, plus Oscar-winner Marion Cotillard and Billy Crudup in supporting roles. This is an embarrassment of talents. Plus, how cool is Depp in this photo?!

Shutter Island (Oct. 2)—Martin Scorsese directing Christian Bale…er, Leonardo DiCaprio, Mark Ruffalo, Michelle Williams, Patricia Clarkson in an adaptation of Dennis Lehane’s thriller (read my review of the book here). I loved the book and this cast is top-notch so if the movie sucks, it would be quite a feat.

Sherlock Holmes (Dec. 25)—Guy Ritchie directing Robert Downey, Jr. as the infamous detective and Jude Law as Dr. Watson (had no idea Dr. Watson was blond and hot). Rachel McAdams (this year’s female Christian Bale) is also along for the ride. I devoured everything Holmesian as a kid and think RDJ is a foolproof actor when it comes to riveting performances (if not necessarily good films) so this had better be good.

The Lovely Bones (Dec. 11)—Peter Jackson steering Rachel Weisz, Susan Sarandon, Mark Wahlberg, Stanley Tucci and Saoirse Ronan (as Susie Salmon) in the adaption of Alice Sebold’s bestseller. Must admit I didn’t love the book but this is a great cast and I love Peter Jackson (I even liked The Frighteners) so I’d have to check this out.

The Invention of Lying (formerly known as This Side of the Truth, Sept. 25)—This movie, co-written and co-directed by Ricky Gervais, stars Gervais, Christopher Guest, Jennifer Garner, Tina Fey, Patrick Stewart, Jason Bateman, Rob Lowe and Jeffrey Tambor. Do you need any more info than this? I’m just gonna show up and expect to laugh ’til I crack.

FARE FOR THE LADIES

Bride Wars (this Friday, Jan. 9)—Kate Hudson and Anne Hathaway turn into Bridezillas when they both want the same wedding date at the Plaza in New York. Hudson and Hathaway are talented, charismatic actresses but the trailer is shrieky and Kristen Johnston seems to have all the best lines. Think I’ll pass.

New in Town (Jan. 30)—Renee Zellweger as a businesswoman transplanted from Miami to Minnesota who falls in love with Harry Connick, Jr. The leads are very charming performers but this looks like a big-screen version of Men in Trees and the trailer didn’t offer one laugh. Yikes.

Confessions of a Shopaholic (Feb. 13)—Isla Fisher stars as Becky Bloomwood, the heroine in the series of popular books by Sophie Kinsella. It’s odd that Fisher has to speak in a Yank accent when Becky is British and Fisher is Australian, but she’s funny enough to embody Becky and Hugh Dancy is a great choice as Luke. The leads are supported by the likes of Joan Cusack, John Lithgow, Lynn Redgrave and John Goodman so this could be a smart comedy. (Read my review here.)

The Ugly Truth (July 24)—I can’t stand Katherine Heigl and from the trailer, the movie looks cliched and predictable. It’s rude when studio execs make bad films for women and then say they don’t make money so they don’t have to make more. It’s sad to see the magnetic Gerard Butler wasted in dreck like this. (Read my review here.)

Julie and Julia (Aug. 7)—Meryl Streep stars as Julia Child and Amy Adams is a woman who tries to use all the recipes from one of Child’s cookbooks. Streep is on fire and Adams hasn’t made a false move yet so this could be entertaining. (UPDATE: See my review of this movie here.)

ENTRIES FOR THE KIDDIES

Monsters vs. Aliens (Mar. 27)—From Dreamworks Animation, this is about a woman who gets hit by a meteor and turned into a giant. She then joins other mutants to fight aliens when they attack Earth. I’m hoping the great voice cast—Reese Witherspoon, Hugh Laurie, Paul Rudd, Kiefer Sutherland and Stephen Colbert as President of the United States—will make it more enjoyable than the so-so trailer.

Hannah Montana: The Movie (Apr. 10)—I’ll just say there are worse things impressionable young girls could be obsessed about.

Up (May 29)—Pixar’s latest entry about a curmudgeon who flies off in his house by attaching it to a bunch of balloons. Doesn’t really matter what it’s about; Pixar’s never made a bad film so I’ll line up for this.

Where the Wild Things Are (Oct. 16)—Spike Jonze is adapting Maurice Sendak’s classic so it’s gotta be trippy. It’s taken a while to come out but the movie stills look more textured and sophisticated than usual kiddie fare so I think it’ll be worth the wait.

FILMS POSTPONED FROM LAST YEAR

He’s Just Not That Into You (Feb. 6)—This has been much delayed plus the entire movie stemmed from one line in a Sex and the City episode so I dunno. The line was funny when originally uttered by Ron Livingston to Cynthia Nixon but now it’s so dated. But the cast is chock full of huge names like Drew Barrymore, Jennifer Connelly, Jennifer Aniston, Ben Affleck, and Scarlett Johansson so there must be some merit in the script, right? Right?

The Soloist (April 24)—My man RDJ and Jamie Foxx in a film based on a true story about an L.A. Times writer who befriends a Julliard-trained but schizophrenic musician living on the streets. It was directed by Joe Wright who’s two for two in my book with Pride and Prejudice and Atonement so I’d watch him go for three.

Harry Potter and the Half-Blood Prince (July 15)—This has the big death so it promises to be the series’ first tearjerker. David Yates is back as director so I’m excited. Prisoner of Azkaban and Order of the Phoenix are the best so far and since we can’t have Alfonso Cuaron back, I’m happy with Yates.

The Road (October 16)—Looks depressing as hell but Mortensen always does compelling work and Charlize Theron, Robert Duvall and Guy Pearce also star so it should be interesting.

What are you looking forward most to seeing? Which sounds like a rental or definite pass altogether? Something not on the list that you’re madly anticipating? Leave a comment and discuss!

(UPDATE: Check out my fall 2009 movie guide here.)

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