Tag Archives: lee daniels

Script Giveaway: PRECIOUS

I’ll be giving thanks on Thursday but today, I’m giving away the shooting script of Lee Daniels’s Precious, written by Geoffrey Fletcher based on the novel Push by Sapphire.

I’m certain the screenplay will receive one of the film’s multiple Oscar nominations so if Precious isn’t playing in your city yet, you can still read it and see what the buzz is about. This giveaway is open to everyone.

I’ll take entries until Monday, Nov. 30, 5 p.m. PST and will randomly draw 2 winners to receive scripts via e-mail. You must be a subscriber or Twitter follower to participate. Winners will only be announced here and on Twitter and have 48 hours to respond before alternate winners are chosen.

To enter, answer the following question:

  • Who’s the most precious person in your life?

On that note, I’d like to wish my U.S. readers a very happy Thanksgiving spent with people for whom you’re most thankful.

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Movie Review: PRECIOUS

After seeing Precious: Based on the Novel Push by Sapphire (limited opening, Nov. 6), I think the Academy should just hand over the Best Supporting Actress Oscar to Mo’Nique right now because that race is sewn up. Hers is one of the bravest, most blistering performances I’ve seen in years; it’s breathtaking in its monstrosity.


Photo courtesy of Lionsgate

Precious (Gabourey “Gabby” Sidibe) is an undereducated teen living in Harlem with her abusive mother, Mary (Mo’Nique), who’s on welfare. Precious is also pregnant with her second child by her father (yes, you read that right). Kicked out of school, she gets sent to an alternative school, where a sympathetic teacher (Paula Patton) inspires her to read and write and reclaim her life.

You may be thinking you’ve seen this story before—youngster who has been written off by the system meets a tough-but-compassionate mentor who turns his/her life around—and you’d be right. But director Lee Daniels, working from a script by Geoffrey Fletcher, takes it to a whole ‘nother level of rawness and Mo’Nique, known primarily as a comedian, goes there with him.


Photo by Anne Marie Fox

The award season is just getting revved up in Hollywood and there are many more contenders I need to see, but I don’t know how anyone can top Mo’Nique’s portrayal of the mother who’s jealous of her own daughter for stealing her man. When she was on screen, I just sat there gaping, wondering where she pulled all that evil from. Mary is like all the scariest mother figures you’ve ever seen on screen rolled into one, with the level of cruelty taken to the 24th degree then multiplied by a thousand. Mo’Nique’s performance, however, is second to none and if Oscar voters don’t give her a statue, somebody’s throwing the competition.

Sidibe is no slouch, either. In her feature debut, she plays a child whose eyes are much older than her years, who’s uneducated but not stupid, who’s been beaten by life but refuses to stay down. When I saw her in person after the movie (see notes below), the vast difference between the actress and the character makes the performance even more impressive.


Photo courtesy Lionsgate

The supporting cast is also noteworthy—an unrecognizable Lenny Kravitz as a kind male nurse, Paula Patton (without noticeable makeup, she’s more beautiful here than I’ve ever seen her) as the teacher who goes beyond the call of duty to give Precious a chance at a better future, Xosha Roquemore as a classmate who provides much-needed levity, and the de-glammed Mariah Carey, who’s surprisingly good, playing her scenes as a social worker in a no-nonsense manner that doesn’t quite disguise the judgment in her eyes.

Daniels, Sidibe, Patton, Fletcher and producer Sarah Siegel-Magness did Q & A after the Variety screening I attended. Interesting tidbits gleaned:

  • Daniels said at first he “was looking for the truth” in his casting, auditioning over 400 girls for the title role, including kids he met on the street and in subway stations. He finally decided against casting an actress from a similar background because that “would have been exploiting the real Precious.”
  • Daniels found Sidibe in an open call. She’s a bright, articulate 26-year-old who cut a college class to audition.
  • As upsetting as the movie is, Daniels said the book is even tougher. If he had filmed the book as is, the movie “would’ve been X-rated.”
  • Carey had to learn to walk by fully using the bottom of her feet because she’s so used to “walking on her tippy toes” from wearing high heels. Daniels asked her to come stripped down and leave her entourage at home.
  • Fletcher at first wrote the script under a pseudonym since that’s what the author known as Sapphire did when she wrote the novel (Precious is loosely based on one of Sapphire’s former students). That idea was eventually abandoned. Fletcher then met Sapphire during a completely random encounter when he found himself sitting next to her on the subway. He recognized her, introduced himself and said he was adapting her book.
  • Sapphire is a scholar and poet who’s completely unimpressed by Hollywood. Daniels stalked her for nine years before she gave him the film rights.
  • Patton did this movie for her mother, a teacher with 35 years in the Los Angeles United School District.

Nerd verdict: Precious is a gem in the rough