Tag Archives: Anne Hathaway

2009 Oscars Fashion Round-Up

There were a lot of beautiful dresses tonight so it’s hard to pick a best. Even the “bad” ones weren’t horrible. But Nerdies need to be given out so here goes:

Best Dressed—Female: (Tie) Anne Hathaway and Marisa Tomei. I usually don’t like “no-color” dresses like beige or silver but these two dresses were magnificent.

Hathaway’s Armani Prive’ looked like a fluid, light-emitting column of tiny mirrors, making Hathaway the fairest of them all.

Actress Anne Hathaway arrives at the 81st Annual Academy Awards

I’d never seen such intricate pleating like on the skirt and train of Tomei’s Versace gown.

m-tomei

Best Color: Natalie Portman’s pink dress. The color was so soft yet striking in a theater full of neutral colors. Alicia Keys’ dress was of a similar color and style but I liked Portman’s just a little more because it had more interesting tucking and details in the bodice.

n-portman1

Best Dressed Male: Daniel Craig. He ain’t just Bond on screen. He looked lethal-weapon sharp on the red carpet, too.

Actor Daniel Craig (R) and Satsuki Mitchell arrives at the 81st

Most Improved from Previous Award Shows This Year: Robert Downey Jr. He looked like a bum at the SAG Awards, chewing gum, sporting sneakers and dirty hair. Look at him here. Damn! Somebody got a facial and full makeover.

Actor Robert Downey Jr. and guest arrive at the 81st Annual Acad

Oldest Gown: Penelope Cruz. Her 60-year-old vintage Balmain was older than most people there. It’s held up remarkably well, though, and makes Cruz look like Audrey Hepburn in Roman Holiday.

Actress Penelope Cruz arrives at the 81st Annual Academy Awards

Best Jewelry: Angelina Jolie. I couldn’t take my eyes off her green dangling earrings and ginormous cocktail ring. I don’t know why she looks so pissed here, though.

an-brad

Most Resembling a Bridesmaid Dress: Amanda Seyfried. C’mon, doesn’t this look like it escaped from 27 Dresses?

Actress Amanda Seyfried arrives at the 81st Annual Academy Award

Most Unfortunate Bow Placement: Tilda Swinton. The top half’s draping is pretty, but look where the giant ruffle is on her skirt. Unless you’re Cher circa 1987, you should never wear a gown that calls attention to your crotch to the Oscars.

Actress Tilda Swinton arrives at the 81st Annual Academy Awards

Most Age-Inappropriate Dress: Sophia Loren. She’s still hot but what’s with all the ruffles? Twenty-four-year-old Freida Pinto may have been able to pull it off but it’s all wrong for Ms. Loren. She should take style lessons from Helen Mirren on how to look sophisticated and hot.

Actress Sophia Loren arrives at the 81st Annual Academy Awards h

Baggiest Mess: Jessica Biel. She looks like someone draped a towel down the front of her dress. She could hide a couple of the Slumdog kids under there.Actress Jessica Biel arrives at the 81st Annual Academy Awards h

Who were your favorites? Who looked like they made their own clothes? Discuss!

My Oscar Predictions!

jackman_tuxThe Oscars are finally here! I’m looking forward to seeing Hugh Jackman in a tux and hopefully shaking his money maker a little. There’s a rumor that Anne Hathaway will be doing the opening musical number with him (click here to see him rehearsing, sans Anne). Hathaway can definitely sing (have you seen Ella Enchanted or her hosting stint on SNL?) and we have plenty evidence of Jackman’s musical prowess so it should be entertaining if it does happen.

Now, I know everyone and his best friend’s second cousin’s lip waxer have already done predictions so I wasn’t gonna do any more than the ones I already made back in December and January. But then I thought, Why not? Maybe I can help someone win fifty bucks in an Oscar pool to put towards next week’s groceries. I’ve seen all the nominated movies, except for the shorts and foreign films (you’re on your own there!) so I’m not making wild guesses based on hype. These are my (hopefully) informed opinions based on the actual quality of the films. I know—the Oscars are sometimes more about PR but I can hope, right?

Here goes:

Best Picture: Slumdog Millionaire

Best Actor: Sean Penn — Milk

Best Actor: Kate Winslet — The Reader

Best Supporting Actor: Heath Ledger — The Dark Knight

Best Supporting Actress: Penelope Cruz — Vicky Christina Barcelona

Best Director: Danny Boyle — Slumdog Millionaire

Best Animated Feature: WALL*E

Best Original Screenplay: Dustin Lance Black — Milk

Best Adapted Screenplay: Simon Beaufoy — Slumdog Millionaire

Best Art Direction: Donald Graham Burt (Art Direction); Victor J. Zolfo (Set Decoration) — The Curious Case of Benjamin Button

Best Cinematography: Anthony Dod Mantle — Slumdog Millionaire 

Best Costume Design: Michael O’ Connor — The Duchess (no contest—Keira’s dresses were eye-popping)

Best Editing: Chris Dickens — Slumdog Millionaire

Best Makeup: Greg Cannom — The Curious Case of Benjamin Button

Best Score: A.R. Rahman — Slumdog Millionaire

Best Song: “Jai Ho” — Slumdog Millionaire

Best Sound Editing: Glenn Freemantle and Tom Sayers — Slumdog Millionaire

Best Sound Mixing: Ian Tapp, Richard Pryke and Resul Pookutty — Slumdog Millionaire

Best Visual Effects: Eric Barba, Steve Preeg, Burt Dalton and Craig Barron — The Curious Case of Benjamin Button

Best Foreign Film: Waltz with Bashir 

Best Documentary Feature: Man on Wire

Do you agree with my choices? Who are you rooting for? Post a comment then check back Monday for scoopy stuff from inside the Oscars from my sources who will be there!

Rachel Getting Married–impressive acting, uncomfortable movie

Anne Hathaway is immensely watchable. Her enormous brown cows make her seem vulnerable and accessible and there’s always intelligence in her performances. All of that applies in Rachel. She plays Kym, a recovering drug addict who’s just been released from rehab to attend her sister Rachel’s wedding. At times, Hathaway is brave enough to allow the audience to dislike Kym and her self-centered destructiveness. Her shedding of the “cute” persona she attained from the Princess Diaries movies doesn’t come across as trying too hard, unlike, say, Meg Ryan playing an alky in When a Man Loves a Woman. That’s because she doesn’t play it hard-core (despite the chopped hair and black eyeliner); she’s just an uncomfortable character who spreads the discomfort to everyone around her.

The acting is very strong all the way around–Rosemarie DeWitt as the long-suffering sister who’s finally making her feelings known, Bill Irwin especially as the father desperately trying to keep his family from falling apart by compulsively making sandwiches, and Debra Winger as the repressed matriarch whose lid is on so tight she could blow at any minute.

This movie was directed by Jonathan Demme, he of The Silence of the Lambs and Something Wild. So why didn’t I love it? Perhaps because the subject matter is so heavy and not all things are resolved at the end. Everyone is left with a sad veil over them. I don’t need things neatly tied up; I just want a sense of hope and I’m not sure this movie made me feel that. Things more or less go back to the way they were before the events in the film unfolded so I’m not sure what the characters accomplished and why we have to witness it all.

Or maybe I didn’t love it because the film was entirely shot by hand-held camera with a kind of grainy, documentary look. The experience was like watching someone’s uncomfortable, unedited (there were long shots where not much happened) home video which made me seasick with all the movement. I attended a screening where Ms. Hathaway and the writer, Jenny Lumet, said that style was intentional because Demme wanted that cinema verite effect. He succeeded; I just need to find the nearest bathroom.

Rating: Okay